Sing, Thalia

IT ISN’T MY intention to be crude, but it seems entirely reasonable that a fart was humanity’s original punchline. 

Comedy had to come from somewhere, and if it didn’t arrive from above, bestowed with angelic benevolence upon the masses to keep them from killing each other any more than they already do, then perhaps it emerged from “below,” as a gift of noxious yet mirthful unity that predated the development of clever rhetoric. 

It’s funny what we find funny.  

When things seem mysterious, I tend to look to evolution for a reasonable explanation. It wasn’t long before I saw the whole setup in the primordial landscape of my mind. There they were, a dozen or so cavemen, crouched around a fire, gnawing on hunks of animal flesh—chewing and grunting—when a particularly coarse troglodyte, whose intestinal gods are angry, happens to let one rip. The “gastric honk” silences the rest of the primitives while the plentiful release of methane causes the fire to grow momentarily larger, which lends a preternatural aura to the event. Then, it happens. One of the squatting Neanderthals erupts in a staggered and labored guffaw, as does the next one, then the next, and there we have the birth of comedy. 

Consider, also, an eerie linguistic similarity to these two seemingly disparate concepts. 

Afflatus—A divine, creative impulse 

Flatus—A fart 

That’s way too close to be a coincidence, right there. And, given the fact that a lot of ideas stink, well, the difference then becomes negligible. 

Humor is a mystery that we can’t live without. Laughter probably saves lives, and that’s why those ancestors who found no merriment in flatulence are extinct. Comedy announces itself in peculiar ways, from either orifice, and seems to be more effective when the subjects themselves are almost too taboo for amusement. Here’s a quote from Albert Camus that may reinforce my point. 

“I have heard of a post-war writer who, after having finished his first book, committed suicide to attract attention to his work. Attention was in fact attracted, but the book was judged no good.”  —Albert Camus

Hilarious. We’ve got flatulence and suicide. Now let’s include murder and insanity. 

Thalia, pronounced TAL-ya because the “H” is silent (but deadly?) is the divine Muse of comedy. I find it hysterical that statues devoted to her usually depict her holding what looks like some poor bastard’s severed head, although it’s apparently the mask of comedy. Still, I remain unconvinced. Every time I see her holding that decapitated cranium I think, “You better laugh. Look what happened to the last guy who didn’t think she was funny. She sliced him off at the throat and stapled the corners of his lips to his cheekbones.” 

She’s one of my favorites: crazy beheading maniac that she is.  

So we’ve got flatulence, suicide and murder. Now to the insanity. 

I won’t go into details, but this past weekend was a rough one for me. I had a bit of an existential shake-up, and in a moment of pure panic I reached out to my Muse, Thalia, pleading with her to deliver unto me a laugh for which I was in desperate need. 

“Help thyself, or I’ll cut your damn head off,” I heard her yell into my ear, because we have that kind of relationship.  

So I went for a walk. 

Blinding sunshine, trees in bloom and not a sound in the air. The walk was salubrious, but not very funny. That is, until I heard this sharp staccato knock coming from above, as rapid as machine-gun fire. It was a woodpecker, smashing his face into the side of a tree with lunatic intensity. It was almost as if he was trying to beat his own brains out. It seemed so crazy I couldn’t help but laugh. I cackled doubly hard when I decided the reason for him ramming his face into a tree was because he’d just lost his job, or had returned to his nest to find another woodpecker had shacked up with his wife. Then, the laughter I sought was really upon me. I actually noticed other animals perched in nearby trees, also watching him while shaking their own heads at the deranged little sapsucker’s relentless attempts to drive his face clear through a two-foot tree trunk. Bam-bam-bam-bam-bam, pause. Bam-bam-bam-bam-bam, pause. 

Life can be brutal, and bad days happen. But, as long as I can extract a little comedy from the chaos, I’ll be able to get through it all. 

The woodpecker suddenly stopped his racket, flew down to a nearby branch and stared at me with a look of crackpot futility. We regarded each other for a good long while, until I decided to ask him a question. 

“Mr. Woodpecker, why do you hammer your face into the tree like that?” 

“Because it feels so good when I stop,” was his deranged reply. 

And there we have it. 

More Alembics…

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